Gary Hill

Sign-ups will be posted on Friday, April 8th at 11:00am.

Studio Visits for Monday April 11th:

2:00-2:30

2:30-3:00

3:00-3:30

break

4:00-4:30

4:30-5:00

Lecture at Warner on April 11th, 6:30 pm.

Paul Kos 3/14 studio visits and lecture

click on image below to view full text:

Glenn Phillips: Sign-up

Studio Visits for Thursday, March 10th (45 minutes):

2:30 - 3:15

3:15 - 4:00

break

4:30 - 5:15

5:15 - 6:00

Glenn Phillips

Sign-ups will be posted on Tuesday March 8th at 11:00am.

Studio Visits for Thursday March 10th (45 minutes):

2:30 - 3:15

3:15 - 4:00

break

4:30 - 5:15

5:15 - 6:00

Lecture at Warner on March 10th, 7:30pm.

Glenn Phillips is Principal Project Specialist and Consulting Curator in the Department of Architecture and Contemporary Art at the Getty Research Institute in Los Angeles. His exhibitionCalifornia Video won the International Association of Art Critics award for best exhibition of digital media, video, or film in 2008. His other exhibitions include Time/Space,Gravity and Light; Marking Time; Evidence of Movement; Reckless Behavior; Pioneers of Brazilian Video Art 1973-1983; Surveying the Border: Three Decades of Video Art about the United States and Mexico; and Radical Communication: Japanese Video Art 1968-88. Prior to working at the Getty he was Assistant Curator for Special Projects at the Whitney Museum of American Art, where he worked on a number of exhibitions, including No Wave Cinema; The American Century: Art & Culture 1900-2000; the 1997, 2000 and 2002 Whitney Biennial exhibitions; Bitstreams: Art in the Digital Age; and Tony Oursler: The Darkest Color Infinitely Amplified.

(from Independent Curator's International)

Links:

http://www.getty.edu/art/exhibitions/california_video/

http://www.getty.edu/news/press/center/ca_video_long_lead_release.html

http://articles.latimes.com/2008/mar/16/entertainment/ca-video16

http://www.laweekly.com/2008-03-13/art-books/playing-with-the-camera/

Kelly Nipper: Sign-up

Studio Visits for Thursday February 24th:

2:00-2:30

2:30-3:00

3:00-3:30

break

4:00-4:30

4:30-5:00

Bob Nickas: Sign-up

Studio Visits for Thursday February 24th:

2:00-2:30

2:30-3:00

3:00-3:30

break

4:00-4:30

4:30-5:00

Kelly Nipper

Sign-ups will be posted on Wednesday Feb. 23rd at 11:00am.

Studio Visits for Thursday Feb. 24th:

Studio Visits for Thursday February 24th:

2:00-2:30

2:30-3:00

3:00-3:30

break

4:00-4:30

4:30-5:00

Lecture at Warner on Feb. 24th, 7pm.

dailyserving.com

The photography, video and performance works of artist Kelly Nipper proclaim the material proof that is inherent to photography and lens-based media at a time when most artists are determined to prove the falsities of the medium. Nipper explores the human relation to time, space and dimension, usually carried out through the choreographed acts of her subjects. The artist often works against normal photographic expectations, leaving her viewers void of the satisfaction that comes from the release of a climax or the capturing of a spectacle. Instead, Nipper engages her viewers with quiet, unassuming, though philosophically rich, images that investigate the empirical nuances of life. Nipper lives and works in Los Angeles and is an M.F.A. graduate of the California Institute of the Arts in Valencia, Calif. This year, the artist will present an exhibition with the Anna Helwing Gallery in Los Angeles. Previous exhibitions include “Bending Water into a Heart Shape” at the Galleria Francesca Kaufmann in Milan, Italy, and “shotgun and a figure 8″ at the Shoshana Wayne Gallery in Santa Monica, Calif., which was reviewed by Artforum (2001). The artist has performed at the Museum of Contemporary Art in California, PERFORMA07, and she has received the Alberta Prize for Visual Art from the Alberta duPont Bonsal Foundation.

whitney.org

Kelly Nipper is an artist who “uses choreography to shape [her] ideas about space and time and weather and emotions.” She works with videos, installations, and live performances to explore the moving human form through deliberate, ritualized gestures. Nipper often integrates detailed notation systems and vocal directives with choreography and repetitive movements. Weather Center is closely based on German Expressionist choreographer Mary Wigman’s solo Witch Dance, first performed by Wigman in Munich in 1914. Wearing a mask that obscures her face, the dancer in Nipper’s video enacts highly charged movements that resemble weather patterns, while a voice-over counts from one to ten.

links:

http://www.kellynipper.net/

http://kellynipper.blogspot.com/

http://www.nytimes.com/2007/11/17/arts/dance/17nipp.html

http://www.whitney.org/Exhibitions/2010Biennial/KellyNipper